SUSAN ABULHAWA traduit de l'anglais par PAJU IL EST 20H00 à Gaza, en Palestine en ce moment, la fin de mon quatrième jour à Rafah et le premier moment où j'ai dû m'asseoir dans un endroit calme pour réfléchir. J'ai essayé de prendre des notes, des photos, des images...
Pour publication immédiate Montréal le 18 avril 2024 La police de Montréal a arrêté 45 personnes après que des manifestants pro-palestine ont organisé un sit-in au siège social de la Banque Scotia, au centre-ville de Montréal, le lundi 15 avril. Des manifestants ont...
For immediate publication Montreal, April 18, 2024 Montreal police arrested 45 people after pro-Palestine demonstrators staged a sit-in at the Scotiabank headquarters in downtown Montreal on Monday, April 15. Protesters also targeted the Scotiabank headquarters in...
Ali Abunimah THE ELECTRONIC INTIFADA 3 August 2014 PAJU NOTE: The call to genocide against Gaza’s Palestinian population did not begin with October 7, 2023. The extermination of Palestinians to make way for an exclusively Jewish colonial settler state has been...
Thirthy six palestinians living in the Middle East have made a tapestry with 80 panels representing each a different period of the history of Palestine now in the British Museum.
From the walls of Jericho – thought to be the earliest walled city – to the founding of the Boycott, Divestment and Sanctions (BDS) stitches and vibrant colours. Tonight’s event was opened by Shelagh Weir, former Middle East curator at the British Museum, who described how Palestinian embroidery has formed an integral part of Palestinian culture for centuries.
She explains: Before the Nakba of 1948, there were thousands of villages in Palestine. Each village had its own style of embroidery to distinguish itself from others, Everything changed in 1948”, referring to the forcible displacement of some 750,000 Palestinians by Jewish militias. “Suddenly Palestinians couldn’t import Syrian silks and taffetas as they did before, and those languishing in refugee camps could not afford such expensive materials. So women switched to using DMC mercerised cotton – a synthetic and much cheaper alternative.” Each shade of DMC cotton had a number and so women continued to express their village identity by using the shade of red they would have stitched with back in Palestine.
Suleiman Abu Taima delicately uses an array of colours to stitch together images which encompass Palestinian heritage in the manner his mother taught him. The 22-year-old says his love of colours and infatuation with his mother’s work led him to watch her closely and learn her embroidery skills. His biggest achievements to date are the Palestinian thobe that he has completed, shawls and art work to be displayed in people’s homes. Suleiman sells his pieces in local markets to afford a living for himself during Israel’s brutal siege of the Gaza Strip.
Distributed by PAJU (Palestinian and Jewish Unity)